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Adam Kuban's Tumblelog.

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Jun
15th
Sun
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coelacanth drawing (via craneboy)
coelacanth drawing (via craneboy)
Jun
12th
Thu
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Ira Glass on Storytelling #3 (via Noodlepie)
Jun
7th
Sat
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Jun
3rd
Tue
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MUTO a wall-painted animation by BLU on Vimeo (via Vimeo)
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Keith Olbermann:To Mr. Bush Shut the Hell Up! (via )
Apr
18th
Fri
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yournewfavorite:  
erockappel:  Thank you, patbaer!    I’ve never seen a mini-pug with such great taste in furniture.

yournewfavorite:

erockappel:

Thank you, patbaer!

 I’ve never seen a mini-pug with such great taste in furniture.

Apr
8th
Tue
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[Flash 9 is required to listen to audio.]
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ROCK CHALK JAYHAWK, KU! Rockin’ the National Championship on the JumboTron at Allen Field House 2008
Apr
6th
Sun
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Downtown Lawrence, Kansas, after KU-UNC game
Mar
27th
Thu
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Mar
25th
Tue
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Blogging While Mixing

Blogging at kitchen table, wiht laptop on table and stand mixr also on table. table is rickety. mixer making all srtts of shaking. blogging imposssible while mzinking pizza dojgh.
Mar
14th
Fri
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One of the best smells in the world? Dryer exhaust.
One of the best smells in the world? Dryer exhaust.
Mar
12th
Wed
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The production was pretty cool. With video projections and what not. The militaristic set—I think the Times described it as “equal parts abbatoir, hospital, and dungeon”—reminded me a lot of the Stargate planet Kelowna and the Stargate Atlantis civilization of the Genai—both militaristic people using technology and design reminiscent of the ’40s.Everything happened on this one set, with the actors wheeling out tables that doubled as gurnies or what not. The large opening in the back was set up to look like a freight elevator and was used to interesting effect in many scenes.Projections were thrown against the two walls you see here, helping illustrate the supernatural (the three witches) or the inner state of a character. The elevator and projections were used to particularly stunning effect in the bit where Macbeth sees Banquo’s ghost.During intermission, I heard two guys talking about how the projections and sound effects might take away from the acting — that the actors wouldn’t have to emote as much because technology was expressing much of what they ordinarily would have had to without it.Patrick Stewart was, of course, awesome, and the nerd factor in the audience seemed pretty high. I think a lot of ST geeks were out to see him (as was I). Two things really made this an unpleasant play, though:1.) The seating at BAM’s Harvey theater SUCKS A DONKEY’S ASS. It is SO friggin’ uncomfortable that I found it hard to sit back and focus.2.) Some dude in our row puked during the final act. I have never read Macbeth nor had I ever seen it. The closest I’ve gotten has been Kurosawa’s Throne of Blood (awesome, btw). Anyway, even though I’ve never seen this or read it, of course it’s so much a part of our culture that I’m hearing the original versions of so many clichés and bits of our verbal landscape — “one fell swoop,” “what has been done cannot be undone,” “eye of newt.”So anyway, during Act V Scene V, the bit where Macbeth is going on about “tomorrow and tomorrow and tomorrow” and … wait for it … “THE SOUND AND FURY” … DURING THAT MOMENT … some dude in our row got sick and vomited.I feel bad for the guy. How horrible would that be? Vomiting in public is embarrassing enough, but to have to do it in the theater, where it’s all shush-shush? My heart goes out to the poor man. But in all the commotion, I totally missed this speech — pretty much the moment when Macbeth realizes his tragic flaw, etc. etc.Blah blah blah.
[From my Flickr stream]

The production was pretty cool. With video projections and what not. The militaristic set—I think the Times described it as “equal parts abbatoir, hospital, and dungeon”—reminded me a lot of the Stargate planet Kelowna and the Stargate Atlantis civilization of the Genai—both militaristic people using technology and design reminiscent of the ’40s.

Everything happened on this one set, with the actors wheeling out tables that doubled as gurnies or what not. The large opening in the back was set up to look like a freight elevator and was used to interesting effect in many scenes.

Projections were thrown against the two walls you see here, helping illustrate the supernatural (the three witches) or the inner state of a character. The elevator and projections were used to particularly stunning effect in the bit where Macbeth sees Banquo’s ghost.

During intermission, I heard two guys talking about how the projections and sound effects might take away from the acting — that the actors wouldn’t have to emote as much because technology was expressing much of what they ordinarily would have had to without it.

Patrick Stewart was, of course, awesome, and the nerd factor in the audience seemed pretty high. I think a lot of ST geeks were out to see him (as was I).

Two things really made this an unpleasant play, though:

1.) The seating at BAM’s Harvey theater SUCKS A DONKEY’S ASS. It is SO friggin’ uncomfortable that I found it hard to sit back and focus.

2.) Some dude in our row puked during the final act. I have never read Macbeth nor had I ever seen it. The closest I’ve gotten has been Kurosawa’s Throne of Blood (awesome, btw). Anyway, even though I’ve never seen this or read it, of course it’s so much a part of our culture that I’m hearing the original versions of so many clichés and bits of our verbal landscape — “one fell swoop,” “what has been done cannot be undone,” “eye of newt.”

So anyway, during Act V Scene V, the bit where Macbeth is going on about “tomorrow and tomorrow and tomorrow” and … wait for it … “THE SOUND AND FURY” … DURING THAT MOMENT … some dude in our row got sick and vomited.

I feel bad for the guy. How horrible would that be? Vomiting in public is embarrassing enough, but to have to do it in the theater, where it’s all shush-shush? My heart goes out to the poor man. But in all the commotion, I totally missed this speech — pretty much the moment when Macbeth realizes his tragic flaw, etc. etc.

Blah blah blah.

[From my Flickr stream]